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Low Spark of High Heeled Boys

Low Spark of High Heeled Boys
MSRP: $9.98
Your Price: $7.97
Savings: $ 2.01 ( 20% )
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Manufacturer: Island
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Additional Low Spark of High Heeled Boys Information

Despite not even charting in the band's native England, this album became a platinum-selling American hit on the basis of three enduring FM radio staples--the expansive, jazzy impressionism of the near-12 minute title track, and the more straightforward funk of the R&B charmers "Light Up or Leave Me Alone" and "Rock & Roll Stew." Those disparate tracks perfectly underscore Traffic's rich musical appeal and its restless, sometimes problematic creative and interpersonal relationships. With now thrice-departed Dave Mason out of the mix and percussionists Jim Gordon and Reebop Kwaku Baah participating in the studio for the first time, the band's innate musicality truly takes wing. Winwood's familiar vocal phrasings nearly take a backseat to his fluid, dramatic guitar work on "Rock & Roll Stew Roll" and "Many a Mile to Freedom," while the Tull-ish, folk-madrigal sensibilities of "Hidden Treasure" and "Rainmaker" are further punctuated by Chris Wood's deft flute and woodwind flourishes. Compared with the more organic John Barleycorn album, the contrast is all the more remarkable. While many contemporary bands were experimenting with various attempts at fusion, few achieved this collection's rock-jazz-folk-R&B range or level of often subtle sophistication. Digitally remastered, this edition also contains the six-minute-plus U.S. single version of "Rock & Roll Stew, Parts 1 & 2" as a bonus track. --Jerry McCulley

 

What Customers Say About Low Spark of High Heeled Boys:

This should have been 2 disc offering to give the band the necessary breathing room to complete (lovingly, I might add) what is created on this disc, alone. THANKS to who ever brought about the re-master.

It made me rethink buying anything further on CD and forced me to listen to my vinyl (at least of this classic) for many years waiting for a re-master/re-issue worth putting in my CD player. The original release on CD was sad and disgusting.

This is Traffic's masterpiece, filled out, mature, focused. So, we're destined to only dream what would have happened had the boys been allowed to expand on the theme on this one disc set.

I cannot add anything more to any of the other reviews on here except to say, this is on my top 200 list of must haves for any collector of this genre. There are only 2 things missing from this offering: Dave Mason's influence & the second disc.

Unfortunately, at the time, Island Records was not into producing/promoting 2 LP sets.

Great quality used cd, no flaws. I've been looking for this one for awhile.

This is the best of Traffic and is a must have I have several copies since I first bought it around 1972.

One benefit of being an old dude. There was a buzz going around before the concert about the stenciling on Jim Gordon's drum kit covers that said Derek and the Dominos. It was already getting plenty of play on the airwaves. Just amazing.

Fantasy. Folks thought Clapton might appear as well. Winwood came out in an all while suit. LSOHHB is one of the classic albums made only more classic for me having seen Traffic live at the height of their powers. They played all of LSOHHB plus some of Barleycorn and Mr. Being able to say I saw Traffic on October 20, 1971 when they toured to promote LSOHHB which would be released the next month.

With the amount of mood elevation taking place some folks might think they actually saw him that night. I might be old, but I got that goin' for me. Winwood and crew played in a little gym at tiny Earlham College in Richmond, Indiana. Imagine, freaking Traffic playing in a gym.

This repackaging includes a jazzy outtake version of "Rock and Roll Stew". "Rock and Roll Stew", "Light Up or Leave Me Alone" and others received airplay, and are still classic rockers. Where many of their contemporaries were indulging in acid rock and exploring the roots of r & b, Traffic's release showed a departure from the main stream, which still is an enjoyable listen from start to finish, over 30 years later. This classic Traffic disk features great singing by Capaldi and Winwood as well as overall expert musicianship with imaginative engineering fades and technique for the time. Winwood's haunting piano and vocals, with punchy horn parts dominate the title track.

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